Destra knows that, in real life, society will define Lucy as either a victim of internalized objectification or a “lewd” and “vulgar” woman who is “asking for it.” And yet, being Lucy feels so right.

The third song in the trilogy takes us from the depths of dualism to the apogee of agency. In Lucy Show Off, the video opens with a shot of a woman erasing the name “Destra” and replacing it with “Lucy.” The woman in doubt disappears and the narrative that ensues is powerful:

“You feel you have all that bottom for nothing? And you feel you looking good here for nothing? And it seems like you don’t really know what you have, then let me tell you something. Gyal Show off! You look sweet. So sexy in your designer physique. Show off! Wave when you pass, in your costume playing your mas. Gyal parade it, parade it, parade it! Don’t be afraid to wine and misbehave.”

Here, Lucy does not need society to sanction her sexuality and she is not a passive repository of meaning. Rather, she exudes meaning. Armed with the autonomy of self-definition, Lucy positively reconstructs the negative image of the so-called “slack” or “misbehaving” woman. In the new narrative that emerges, the female body is a site of strength, not shame. And female sexuality is a force to be celebrated, not chaste-ised. Importantly, beyond the joy and celebration of it all, female sexuality is about power. Lucy makes it clear that she is not a victim of objectification, but instead has the power to dominate male sexuality. In the most decisively powerful part of the song, Lucy, sings, “and look they coming. Two, four, six, eight, ten man coming!” In the video, these men are visibly “tempted to touch” and advance with a caricatured stereotype of masculinity that would prompt Calypso Rose to say “leave me alone.” But Lucy says, “kill them with the wuk!” And in the animated video, Lucy levitates in the air and slaps a man across his face with, presumably, the most powerful muscle on her body—the gluteus maximus! Simple, yet revolutionary.